The Mandrake: Follow the Cast

Here at A Red Orchid Theatre we want to include you - the audience and loyal supporters - in the process of the upcoming production of Machiavelli's "The Mandrake". Our fabulous and super cool interns created a short questionnaire to ask the cast about their experience in the rehearsal process. Keep track as we post more and more of these so you all can get to know the actors in a new light.


Steve Haggard as "Callimaco" in rehearsal.


Name: Steve Haggard (AROT Ensemble Member)
Hometown: Columbus, Ohio
Alma Matter: DePaul University
Last shows you were seen in: "Kimberly Akimbo" at AROT, "As You Like It" and "Romeo & Juliet" at Chicago Shakespeare Theatre
Favorite AROT Production: "Abigal's Party" and "The New Electric Ballroom"

Character: Callimaco
Describe your character in 3 words: Amazing. Passionate. Needy.
Favorite part of the process so far: Laughing at my funny funny cast mates.
Favorite line in the show: "Oh, the anguish!"
Favorite Italian dish: Bruschetta

Has your view on Machiavelli changed since you began working on this show?
He is much funnier than I thought he was.

Why should people come see this show? It's surprising and uncomfortably funny. There will not be another production of this play done in such an intimate way in which you as an audience member can be such a part of the intrigue and scheming.


KEEP AN EYE ON OUR BLOG, FACEBOOK, AND TWITTER BECAUSE WE WILL BE ANNOUNCING A HOW YOU CAN TAKE ADVANTAGE OF A FEW OPPORTUNITES TO WIN TICKETS TO THE SHOW!

THE MANDRAKE

We are incredibly excited to announce the cast and crew of our final show of the 2010-2011 season:

Machiavelli’s The Mandrake

With the brilliant director STEVE SCOTT, (associate producer of Goodman Theatre, member of the Goodman’s Artistic Collective) behind the wheel, The Mandrake is sure to be a success.

Featuring the talents of Steve Haggard, Lance Baker,

Doug Vickers, David Chrzanowski, Brian Kavanaugh,

Cheyenne Pinson,and Lucinda Johnston

AND a fabulous behind the scenes team of Josh Sobel, Grant Sabin, Jeremy W Floyd, Michael Stanfill, Joe Fosco, Doug Kupferman, Stephanie Heller, Donnie Sheldon, Meg Lindsey, Kelli Marino, and Cris Kayser 

Previews: April 8 & 9 at 8:00PM & April 10 at 3:00PM

Opening night: Monday April 11, 2011 at 7:00PM

The Mandrake is scheduled to run at A Red Orchid on Thursdays, Fridays, and Saturdays at 8:00PM and on Sundays at 3:00PM

Closing Performance: Sunday, May 22, 2011 at 3:00PM 

KEEP AN EYE ON OUR BLOG, FACEBOOK, AND TWITTER BECAUSE WE WILL BE ANNOUNCING A HOW YOU CAN TAKE ADVANTAGE OF A FEW OPPORTUNITES TO WIN TICKETS TO THE SHOW!!

Written while Machiavelli was in exile for allegedly plotting against the Medici clan, "The Mandrake" or "Mandragola" details the corruption of Italian society in a series of increasingly comical scenes that culminate in the cuckolding of a powerful Florentine aristocrat. The author depicts human nature just as he has come to know it, and the sinister fruits of his studies have delighted audiences to this day, for we recognize our own failures in Machiavelli's creations--characters too quick to compromise personal ethics in order to accommodate a corrupt and demeaning world, too easily persuaded to lie, cheat, swindle, and deceive, or close their eyes to deception, in order to ensure some small improvement in their miserable lives, always espousing the mantra that "the end justifies the means." "The Mandrake" is a powerful comic treatise on immorality, a diagnosis of cultural disease, and perhaps the finest surviving example of the Italian Renaissance comedy of intrigue. 

But when evening falls I go home and enter my writing room. On the threshold I put off my country habits filthy with mud and mire and array myself in royal courtly garments. Thus worthily attired I make my entrance into the ancient courts of the men of old where they receive me with love and where I feed upon that food which only is my own and for which I was born.

-Niccolo Machiavelli

The Earl Extended!

Just got the word that The Inconvenience will extend their run of The Earl, showing right here at A Red Orchid Theatre, until March 2.  The show has been called "A stunner" (Time Out Chicago), "A thrilling little piece of pulp fiction" (Chicago Theatre Blog), and "A quality piece of work" (Around the Town Chicago).  This is a great show and a great group of young artists, so come out and show your support.

The New York Branch

With all of the excitement of The New Electric Ballroom, the great reviews, and the exciting Jeff Recommendation, we don't want to forget about our New York ensemble in Mistakes Were Made.  Mike Shannon and Mierka Girten will be closing the New York production on February 27, so a hearty Congratulations and Job Well Done goes out to them.

The Earl at Red Orchid

Don't forget that The Earl is also playing at A Red Orchid.  This one is scheduled to close February 23, so get out and see it while you can. 



Industry Night

A quick reminder that Industry Night for The New Electric Ballroom will be this Monday, February 14.  Tickets are pay what you can, but you should still call us to reserve your seats.

What a great way to tell someone special, Happy Valentine's Day.

Family

It's hard to ignore the common elements of the two shows currently running here at A Red Orchid Theatre, especially when you realize that it wasn't exactly intentional.  Both shows are about siblings and family.  The New Electric Ballroom delves into three sisters' emotional and psychological scars, while The Earl depicts three brothers giving each other actual scars. 

Both shows also question the appropriate role of the siblings within the family.  The older sisters in Ballroom obsessively relive their past in hope that the youngest will learn from their mistakes, teaching her to fear the world outside and to find safety in their home.  So what are they ultimately denying her?  The long-absent brother in The Earl returns home and is chastized for leaving.  The brothers who remained at home have been involved (at least somewhat) with the care of their mother, and have (at least somewhat) the care of the brutal game the brothers play.  Was he wrong to leave, wrong to trust his brothers as keepers of their tradition?

Both shows offer an interesting story, intriguing characters, and as many layers of meaning as you are willing to peel away. 

Both will make you feel better about your disfuntional family.

Both are showing at A Red Orchid Theatre.

Tickets for The New Electric Ballroom can be purchased here, or by calling the box office at A Red Orchid Theatre.

Tickets for The Earl can be purchased here, or by calling the box office at The Inconvenience.