We are incredibly excited to announce the cast and crew of our final show of the 2010-2011 season:
Machiavelli’s The Mandrake
With the brilliant director STEVE SCOTT, (associate producer of Goodman Theatre, member of the Goodman’s Artistic Collective) behind the wheel, The Mandrake is sure to be a success.
Machiavelli’s The Mandrake
With the brilliant director STEVE SCOTT, (associate producer of Goodman Theatre, member of the Goodman’s Artistic Collective) behind the wheel, The Mandrake is sure to be a success.
Featuring the talents of Steve Haggard, Lance Baker,
Doug Vickers, David Chrzanowski, Brian Kavanaugh,
Cheyenne Pinson,and Lucinda Johnston
AND a fabulous behind the scenes team of Josh Sobel, Grant Sabin, Jeremy W Floyd, Michael Stanfill, Joe Fosco, Doug Kupferman, Stephanie Heller, Donnie Sheldon, Meg Lindsey, Kelli Marino, and Cris Kayser
Previews: April 8 & 9 at 8:00PM & April 10 at 3:00PM
Opening night: Monday April 11, 2011 at 7:00PM
The Mandrake is scheduled to run at A Red Orchid on Thursdays, Fridays, and Saturdays at 8:00PM and on Sundays at 3:00PM
Closing Performance: Sunday, May 22, 2011 at 3:00PM
KEEP AN EYE ON OUR BLOG, FACEBOOK, AND TWITTER BECAUSE WE WILL BE ANNOUNCING A HOW YOU CAN TAKE ADVANTAGE OF A FEW OPPORTUNITES TO WIN TICKETS TO THE SHOW!!
Written while Machiavelli was in exile for allegedly plotting against the Medici clan, "The Mandrake" or "Mandragola" details the corruption of Italian society in a series of increasingly comical scenes that culminate in the cuckolding of a powerful Florentine aristocrat. The author depicts human nature just as he has come to know it, and the sinister fruits of his studies have delighted audiences to this day, for we recognize our own failures in Machiavelli's creations--characters too quick to compromise personal ethics in order to accommodate a corrupt and demeaning world, too easily persuaded to lie, cheat, swindle, and deceive, or close their eyes to deception, in order to ensure some small improvement in their miserable lives, always espousing the mantra that "the end justifies the means." "The Mandrake" is a powerful comic treatise on immorality, a diagnosis of cultural disease, and perhaps the finest surviving example of the Italian Renaissance comedy of intrigue.
But when evening falls I go home and enter my writing room. On the threshold I put off my country habits filthy with mud and mire and array myself in royal courtly garments. Thus worthily attired I make my entrance into the ancient courts of the men of old where they receive me with love and where I feed upon that food which only is my own and for which I was born.
-Niccolo Machiavelli
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